What happens when a healer, working in a plague-stricken medieval village, falls in love with Death himself? Moviegoers can soon find out when a black-comedy romance, which began as a Harvard College student production, lands on the big screen. “Death Do Us Part,” co-directed by Abigail Ory ’21 and David Chávez-Grant ’21, premieres at the Rhode Island International Film Festival August 9.
When David Bakalar first set foot at Harvard, he was a 17-year-old child of immigrants commuting by bus from Lynn, his $500 “nonresident scholarship” covering tuition and a study space at Leverett House but not room and board.
Why do so many people feel lonely in a world designed for connection? As Ian Corbin sees it, Americans are experiencing a crisis of belonging, which he attributes to some fundamental misunderstandings about what humans need to flourish.
The honor is given annually to College seniors who demonstrate ‘intellectual adventure’
At Harvard, drummer Raghav Mehrotra ’26 built knowledge about the music industry — and a sizable social media following.
The four-day celebration, organized by the Office for the Arts at Harvard, features music, dance, theater performances, visual art exhibits, and hands-on art activities at venues across campus.
A recent event, hosted by the Public Culture Project, emphasized the real-world benefits of arts and humanities for unhoused and incarcerated populations.
The visionary behind “Cats: The Jellicle Ball” was honored in a ceremony celebrating his contributions to the arts.
The Public Enemy icon discussed his career, his influences, and the power of music as political commentary.
The Pforzheimer House resident filmed through the spring and summer for the “The Testaments,” a new Margaret Atwood adaptation.
A student production of the 1994 musical showcases the Adams House venue’s best features