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Angela Bassett, Mavis Staples, Didier Drogba among 2026 W.E.B. Du Bois Medalists
Portraits of Angela Bassett, Mavis Staples, and Didier Drogba

Angela Bassett, Mavis Staples, Didier Drogba among 2026 W.E.B. Du Bois Medalists

The Hutchins Center for African and African American Research has named its 2026 cohort of W.E.B. Du Bois Medalists, including actress Angela Bassett, humanitarian and soccer legend Didier Drogba, and five-time Grammy-winning singer Mavis Staples.

Before the syllabus, the studio
Harvard first-year Beau Chiasson at a pottery wheel

Before the syllabus, the studio

For more than three decades, the Harvard College First-Year Arts Program has served as incoming students’ first encounter with the breadth of artistic people, places, and pursuits awaiting them on campus.

Valeria Luiselli’s ‘deep dive into mother-daughter relationships’
Novelist and incoming professor of English at Harvard University Valeria Luiselli

Valeria Luiselli’s ‘deep dive into mother-daughter relationships’

The incoming professor of English’s fourth novel, “Beginning Middle End,” follows a mother and her 12-year-old daughter as they travel to Sicily, where the duo is figuring out how to reconstruct their lives amid their encounters with the island’s daily life, its winds, waters, and volcanoes.

Student musical evolves into feature film ‘Death Do Us Part’
Actors Zara Devlin and Ari'el Stachel in a scene from the film “Death Do Us Part”

Student musical evolves into feature film ‘Death Do Us Part’

What happens when a healer, working in a plague-stricken medieval village, falls in love with Death himself? Moviegoers can soon find out when a black-comedy romance, which began as a Harvard College student production, lands on the big screen. “Death Do Us Part,” co-directed by Abigail Ory ’21 and David Chávez-Grant ’21, premieres at the Rhode Island International Film Festival August 9.

At age 101, alum gifts ‘big, geometric, colorful’ artwork to the FAS
David Bakalar stands before one of his Albert Einstein-inspired “Brain Series” paintings, newly installed on the Harvard University campus at Zimmer Hall.

At age 101, alum gifts ‘big, geometric, colorful’ artwork to the FAS

When David Bakalar first set foot at Harvard, he was a 17-year-old child of immigrants commuting by bus from Lynn, Mass., his $500 “nonresident scholarship” covering tuition and a study space at Leverett House but not room and board.

How modern life compounds the ancient struggle to belong
Harvard philosopher Ian Corbin discussed his book “To Arrive Where We Started: Belonging in the Modern World” with Samuel Kimbriel, a philosopher at the Aspen Institute, in a recent event at Barker Center.

How modern life compounds the ancient struggle to belong

Why do so many people feel lonely in a world designed for connection? As Ian Corbin sees it, Americans are experiencing a crisis of belonging, which he attributes to some fundamental misunderstandings about what humans need to flourish.

Finding his rhythm between classroom and stage
Harvard College senior Raghav Mehrotra, a joint economics and music concentrator, with his drum kit at Holden Chapel.

Finding his rhythm between classroom and stage

At Harvard, drummer Raghav Mehrotra ’26 built knowledge about the music industry — and a sizable social media following.

Scenes of student ingenuity at Harvard Arts Festival
Players with the Harvard University Band hauled an enormous drum to the annual pick-up performance of Tchaikovsky's 1812 Overture, a festival tradition.

Scenes of student ingenuity at Harvard Arts Festival

The four-day celebration, organized by the Office for the Arts at Harvard, features music, dance, theater performances, visual art exhibits, and hands-on art activities at venues across campus.

Where the humanities prove their power
From left, Harvard University Professor of the Practice James Wood, Tufts University's Hilary Binda, and Atlantic columnist James Parker appear at the front of a classroom.

Where the humanities prove their power

A recent event, hosted by the Public Culture Project, emphasized the real-world benefits of arts and humanities for unhoused and incarcerated populations.